RUMOURS

Rumours follows the seven leaders of the world’s wealthiest liberal democracies at the annual G7 summit after they become lost in the woods and face increasing peril while attempting to draft a provisional statement regarding a global crisis. screenplay Evan Johnson cinematography Stefan Ciupek editing John Gurdebeke Evan Johnson Galen Johnson music Kristian Eidnes Andersen production design Zosia Mackenzie cast Cate Blanchett (Hilda Ortmann) Roy Dupuis (Maxime Laplace) Nikki Amuka-Bird (Cardosa Dewindt) Charles Dance (Edison Wolcott) Takehiro Hira (Tatsuro Iwasaki) Denis Ménochet (Sylvain Broulez) Rolando Ravello (Antonio Lamorte) Zlatko Burić (Jonas Glob) Alicia Vikander (Celestine Sproul) producers Liz Jarvis Philipp Kreuzer Lars Knudsen productions Square Peg Buffalo Gal Pictures Maze Pictures world sales Protagonist Pictures "Compelled by the looming doomsdays with which we are become too familiar, seduced by the eschatological sinuosities inscribed provocatively across our sulphur-clotted skies, with nothing but hopelessness to console ourselves, and with our chill-blasted souls much in need of the warmth sometimes only nostalgia can provide, we directors have turned our despairing attentions, rosary beads chattering like teeth in our skeletal fingers, to the quaint old customs of diplomacy – namely the G7!" (Guy Maddin, Evan e Galen Johnson) Guy Maddin has directed thirteen feature-length movies in a career spanning over thirty years. For the past decade, he has worked exclusively in directorial partnership with Evan and Galen Johnson, creating The Forbidden Room (2015), The Green Fog (2017), and the internet interactive, Seances (2016). During his solo helming years, Maddin mounted around the world over seventy performances of his films, Cowards Bend the Knee (2002), Brand Upon the Brain (2006) and My Winnipeg (2007) in productions featuring live elements – orchestra, sound effects, song and narration. His screenplay and film-story collaborators include Nobel Laureate Kazuo Ishiguro and poet John Ashbery. In America, his movies Archangel (1990) and The Heart of the World (2000) won National Society of Film Critics Awards for Best Experimental Film. Evan Johnson is a writer and filmmaker living in Winnipeg. He studied film and philosophy at the University of Manitoba and worked at Winnipeg's Rug Doctor chemical bottling plant before being discovered there by Guy Maddin. He co-directed his first feature, the Forbidden Room (2015), with Maddin, and since then has been writing/directing with Maddin and his brother Galen Johnson. Galen Johnson is an filmmaker and designer based in Winnipeg. In 2012, he worked as Production Designer, Title Designer, and Composer on The Forbidden Room, for which he was nominated for a Canadian Screen Award for production design/art direction. He has since gone on to co-direct Bring Me the Head of Tim Horton (2015), the experimental short film website Seances (2016), The Green Fog (2017), Accidence (2017) and Stump the Guesser (2020) all with Guy Maddin and Evan Johnson. Filmography with Evan and Galen

RUMOURS2024-11-29T13:36:26+01:00

LA INFILTRADA

The film is about the true story of Aranzazu Berradre Marín. This was the false identity a policewoman assumed to infiltrate the ETA (Euskadi ta Askatasuna) for eight years. Just twenty when she managed to get inside one of the organization’s groups, she had to cut off all ties to her family for the duration, in order to dismantle the Donestì command (San Sebastián) just when the gang was calling for a false truce, called the ‘truce trap’. The film is thus a story of personal courage: a woman who changed her own life to try to save the lives of others. screenplay Amèlia Mora Arantxa Echevarría cinematography Javier Salmones editing Victoria Lammers music Fernando Velázquez costumes Teresa Mora cast Carolina Yuste (Arantxa) Luis Tosar (Ángel) Iñigo Gastesi (Kepa) Diego Anido (Sergio) Nausicaa Bonnín (Andrea) Pepe Ocio (Bodhi) Jorge Rueda (Mario) Víctor Clavijo (Teruel) producers Álvaro Ariza Mercedes Gamero María Luisa Gutiérrez Pablo Nogueroles Arantxa Echevarría (Bilbao, Spain. 1968) has directed short films such as Panchito (2010), De noche y de pronto (2012), nominated for the Goya for Best Short Film, and El último bus (2016). In 2018, she became the first female Spanish filmmaker to be selected for the Director’s Fortnight at the Festival de Cannes, with her debut feature, Carmen y Lola. The film won two Goyas, for Best New Director and Best Supporting Actress (Carolina Yuste) and was nominated in another six categories, including Best Film. She has also directed episodes of the TV series El Cid (2020) and Días mejores (2022). 2024 La infiltrada 2024 Políticamente incorrectos 2023 Chinas 2021 La familia perfecta 2018 #SHE 2018 Carmen y Lola 2016 El último bus (short) 2015 El solista de la orquesta (short) 2015 Yo, presidenta (short) 2012 Don Enrique de Guzmán (short) 2012 De noche y de pronto (short) 2010 Cuestión de pelotas (doc) 2010 Panchito (short)

LA INFILTRADA2024-11-27T17:22:31+01:00

IL MIGLIORE DEI MALI

1997: five kids are looking for a lost dog, against the backdrop of a chemical industry, Termaranto, that guards its many secrets, and a sinister neighbor, Zaira, who seems to be hiding a dark secret as well. An adventure that is part mystery and part fantasy, in which the mysterious events that occur around the children and in the town will bring them up against “the best of evils”. screenplay Josella Porto Violetta Rovetto
 Tommaso Santi loosely based on the graphic novel Il migliore dei mali by Violetta Rovetto 
cinematography 
Marina Kissopoulos editing 
Natascia Di Vito music Tecla Zorzi sound Francesco Spadafora Gianfranco Tortora production design Gianluca Salamone costumes Sabrina Beretta in collaboration with Fabrizia Migliarotti cast Andrea Arru Riccardo Antonaci Giuseppe Pallone Matteo Ferrara Nicolò Bizzoco Giorgia Piancatelli Pietro Ragusa Annalisa Insardà Viktorie Ignoto Giulio Nespeca and with the friendly participation of Veronica Pivetti and with the special participation of Massimo Wertmuller producers Emanuele Nespeca Gianluca Curti creative producer Vanessa Pellegrino productions Solaria Film Minerva Pictures with Rai Cinema co-productions Arsmedia Agresywna Banda with the support of MiC – Direzione Generale Cinema e audiovisivo with the support of Regione Molise Regione Lazio Regione Calabria Film Commission “I got the idea for Il migliore dei mali back in 2013, and it turned into a graphic novel published by Shockdom in 2019-2020. Films and series usually show a humanity decimated by catastrophes, but Il migliore dei mali overturns this narrative and shows how the human race is resilient and able to adapt. It’s a story that explores both genetic and emotional diversity, including queer identities and orientations. A look at how those who have the decks stacked against them overcome their state, in a world of unequal opportunity. Could it be that the conflict between self-destruction and self-preservation is actually our species’ equilibrium?” (Violetta Rovetto) Violetta Rovetto (Rome, 1987) pursued a wide range of studies, including stage acting, dubbing, directing, audiovisual editing, and screenwriting. Today she is a content creator on YouTube, Instagram, and TikTok and writes reviews and content related to films and TV series. She produces in-depth articles on cinema and series for web agencies, production companies and film distributors, and has written two graphic novels: Il Migliore dei mali and Aldilà di te. 2024 Il migliore dei mali

IL MIGLIORE DEI MALI2024-11-29T17:45:31+01:00

Lorenzo Palloni, “È successo un guaio”

Presentation of the latest graphic novel by the author of Fortezza Volante, Ossario, and L’ignobile Shermann e Burn Baby Burn, published by Saldapress

Lorenzo Palloni, “È successo un guaio”2024-11-27T11:39:43+01:00

A talk with Vanna Vinci

The writer and illustrator from Cagliari, and creator of this year’s poster, meets with Noir audiences to talk about all her fascinating and unsettling worlds

A talk with Vanna Vinci2024-11-27T11:21:14+01:00

The 2024 Awards Ceremony

Noir in Festival wraps up, and before the closing film, the customary awards are handed out. Two juries select the Best International Film and the Best Italian Noir Film

The 2024 Awards Ceremony2024-11-27T11:16:16+01:00