THE LONG KNIVES

People like him are the ones who usually tell the story, be it about business, politics, or the media. Not this time. He won’t be writing the story – this story – now. The British MP Ritchie Gulliver is dead. Castrated and left to bleed in an empty Leith warehouse, down at the port of Edinburg. Racist, vicious, and corrupt, many thought he had it coming. But nobody could have predicted this. The suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalized, who bore the brunt of his cruelty – those without a voice, without a choice, without a chance. Detective Ray Lennox, the protagonist of Crime, is on the case, and the trail of blood is long. Others die after Gulliver, all of them big wigs. Someone may well be carrying out ghoulish criminal designs in the name of justice, and Lennox needs to figure out who the real victims – and the real killers – actually are. Irvine Welsh was born in Scotland, but now splits his time between London, Edinburgh, and Miami, where you’re likely to find him in the winter. Previously, he did stints in Dublin and Amsterdam as well. A working-class boy and a leading exponent of the so-called ‘chemical generation’, after a series of odd jobs and a period of drug addiction, he was turned on to literature thanks to Docherty by William McIlvanney, the book that got him thinking about himself, and writing. His first novel, Trainspotting, in 1993, grew out of his perusal of his old diaries and a re-elaboration of events from his life. The book was an instant success, amplified even further by the famous screen adaptation by Danny Boyle. Welsh appeared in the film as well, in the role of Mikey Forrester. In Italy, his novels –Trainspotting, Ecstasy, Acid House, Filth, Marabou Stork Nightmares, Glue, Porno, The Bedroom Secrets of the Master Chefs, Kingdom of Fife, Crime, Reheated Cabbage, Rattlesnakes, Skagboys, The Sex Lives of Siamese Twins, A Decent Ride, The Blade Artist, Dead Men’s Trousers, and The Long Knives – have all been published by Guanda. As of last year, the cases involving Ray Lennox have been turned into a TV series, Crime, created by Welsh himself, together with Dean Cavanagh. The first six-episode season aired on BritBox in 2021, while the two authors have written the second season and are starting to shoot it by year’s end. This season will air on the UK streaming service ITVX.

THE LONG KNIVES2022-11-26T18:00:10+01:00

CAMINITO

The year is 1939. Five years have passed since Inspector Ricciardi’s life was abruptly turned upside down. And now the winds of hatred buffeting Europe risk sweeping away the very idea of civilization. On the brink of disaster, the only sure thing is crime. In the undergrowth of the woods, the bodies of a young couple are found. They were making love when someone brutally murdered them. The motive for the murder is murky from the start: political interests may well behind this crime. With the help of his sidekick Maione – concerned about a family matter of his own – Ricciardi will have to crack the case and at the same time protect a good friend who is at huge risk over his love of freedom. Meanwhile, Ricciardi’s daughter Marta is growing up, and it’s time for the commissioner to learn if she has inherited his own curse: the ability to see and hear the dead. In 2007 Maurizio De Giovanni attracted the attention of Italy’s literary scene after winning an award, thanks to a novel set in Naples in the 1930s, featuring a police commissioner, Luigi Alfredo Ricciardi: I Will Have Vengeance, published by Fandango and republished in 2012 (along with the entire series) by Einaudi. Thus began his highly popular series that counts thirteen novels to date, with the latest, Caminito, plus three stories in the collection L’omicidio Carosino. Le prime indagini del commissario Ricciardi. The equally popular TV series based on the Ricciardi novels aired on Raiuno in 2021, with the second season  scheduled to air in the first six months of 2023. In 2012, De Giovanni won the Scerbanenco Award for The Crocodile, which introduced Inspector Lojacono, a protagonist of another hit series as well, set in contemporary Naples: The Bastards of Pizzofalcone, ten novels to date and another well-loved TV series starring Alessandro Gassmann and Carolina Crescentini. With his more recent novels, Sara al tramonto, Le parole di Sara, Una lettera per Sara, and Gli occhi di Sara, all published by Garzanti, De Giovanni has created another character, a former secret service agent, now retired, with the gift of invisibility and a talent for stealing people’s secrets. And lately the author has enriched his Mina Settembre series with the fourth and fifth installment Troppo freddo per Settembre and Una sirena a Settembre, both published by Einaudi, while the first three novels came out with Sellerio. This year, along with Caminito, De Giovanni has brought out L'equazione del cuore. There are myriad comics and graphic novels based on the author’s works. Since 2017, Sergio Bonelli Editore has published eight comic books based on the Inspector Ricciardi novels and five annual magazines with unpublished stories. The same publisher has brought out three comics devoted to The Bastards of Pizzofalcone novels.

CAMINITO2022-11-26T17:50:41+01:00

C’ERA UNA VOLTA A VIAREGGIO

Ahead of the celebrations for the thirtieth anniversary of the screening of Reservoir Dogs at Noir in Festival, Davide Rapp and Michele Boroni will be presenting a sneak preview of forty minutes of the documentary they are making. It’s June 20th, 1992, the day Quentin Tarantino arrives in Viareggio. He’s twenty-nine, still largely unknown, and just a few weeks earlier he was at Cannes to present, to the few people interested, his first film: Reservoir Dogs. He’s been invited to Versilia by the director of the festival, Giorgio Gosetti, and by Marina Fabbri, and he’s very excited. This very night, the film will be screened by the first time before a mixed audience of journalists, fans of genre films, and ordinary filmgoers. The presence of the filmmaker from Tennessee does not go unnoticed: Quentin Tarantino spends his days at the Cinema Politeama, commenting out loud on all the films and openly gushing over his favorite directors, just like any over-the-top and a bit irritating fan. Thirty years later, the reminiscences of the people he met that summer in Viareggio come together to form an ensemble piece packed with anecdotes and personal stories, against the backdrop of Italy in the early ‘90s. C’era una volta a Viareggio is the fruit of a partnership between director Davide Rapp, a devoted Tarantino fan and compulsive collector of items, books and other memorabilia connected to the iconic filmmaker; and journalist Michele Boroni, present at that premiere of Reservoir Dogs in Viareggio and author of the short online story “Il Matto – Una storia vera”, about his surprise at learning that the American kid in the music-themed t-shirt, bermuda shorts, and sneakers, who made all that noise in the theater, was actually the director of a cinematic masterwork. texts Michele Boroni Davide Rapp production orama contact info@dashorama.eu Davide Rapp was trained to be an architect; in 2014, he took part in the 14th Venice Biennale of Architecture – Fundamentals, with the selection of his film montage Elements, which described the fundamental elements of architecture by means of a sequence of over five hundred film clips. In 2021, he was at the Venice Film Festival itself, competing in the section Venice VR Expanded with his film Montegelato, another film montage, in VR this time, about the waterfalls of Montegelato, which have served as a location for over 180 Italian films, from 1950 to the present day. 2022 Kursaal 2021 Montegelato 2020 Riders not Heroes 2019 Peter Daler 2014 Elements

C’ERA UNA VOLTA A VIAREGGIO2022-11-25T18:57:06+01:00

KIMI

Angela Childs is a tech analyst who reviews data streams for the Amygdala Corporation, purveyor of the voice-activated companion server KIMI. Amidst a pandemic, even though restrictions have eased, Angela suffers from agoraphobia and follows a strict routine within the safety of her loft apartment in downtown Seattle. Between computer breaks, Angela flirts – among other things – with her neighbor across the street, and communicates with her mother, her dentist, and her therapist via video chat, proving she never needs to leave the comforts of home. But that changes when she hears something horrific in one of the streams she is analyzing. Reporting it over email is deemed too risky, so a trusted co-worker advises Angela to go to their head office downtown and speak directly to executive Natalie Chowdhury and alert her to what Angela is certain is a serious crime. But Angela hasn't ventured outside since before the pandemic. Just getting to the office is a huge challenge, but she's determined to do the right thing. But Angela has no idea what will actually happen when – and if – she's able to step out of her comfort zone. screenplay David Koepp cinematography Peter Andrews editing Mary Ann Bernard music Cliff Martinez sound Larry Blake production design Philip Messina costumes Ellen Mirojnick cast Zoë Kravitz (Angela Childs) Derek DelGaudio (Bradley Hasling) Jacob Vargas (Glasses Thug) Byron Bowers (Terry Hughes) Robin Givens (Angela's Mother) Rita Wilson (Natalie Chowdhury) Jaime Camil (Antonio Rivas) Charles Halford (Tall Thug) Erika Christensen (Samantha Gerrity) Devin Ratray (Kevin) producers David Koepp Michael Polaire productions Warner Bros. Pictures New Line Cinema Steven Soderbergh is a writer, director, producer, cinematographer, and editor. He most recently directed the features No Sudden Move and Let Them All Talk, which debuted on HBO Max in July 2021 and December 2020, respectively. His television film Behind The Candelabra, for which he won a 2013 Emmy Award for Outstanding Directing, debuted on HBO in May of that year. He earned the Academy Award in 2000 for directing Traffic, and in the same year was nominated for Erin Brockovich. Soderbergh earlier gained an Academy Award nomination for Best Original Screenplay for sex, lies, and videotape, his feature film directorial debut. That film also won the Palme d'Or at the 1989 Cannes Film Festival. Among his other credits are the HBO limited series Mosaic, the 2014-2015 Cinemax series The Knick, and the HBO series K Street, and the films The Laundromat, High Flying Bird, Unsane, Logan Lucky, Side Effects, Magic Mike, Haywire, Contagion, And Everything is Going Fine, The Informant!, The Girlfriend Experience, Che, the Ocean's Trilogy, The Good German, Bubble, Solaris, Full Frontal, The Limey, Out of Sight, Schizopolis, Gray's Anatomy, The Underneath, King of the Hill, and Kafka. His film Equilibrium, one of a trio of short eroticism-themed films

KIMI2022-11-25T17:50:44+01:00

RESERVOIR DOGS

A group of thieves assemble to pull off the perfect diamond heist. It turns into a bloody ambush when one of the men turns out to be a police informer. As the group begins to question each other's guilt, the heightening tensions threaten to explode the situation before the police step in.

RESERVOIR DOGS2022-11-24T14:24:47+01:00

QUAI D’ORSAY

Special Event in collaboration with Institut Français Milano After graduating from the École nationale d'administration, which trains France's leaders in the public and private sectors, Arthur Vlaminck lands a job as speechwriter in the Foreign Ministry. Existing senior advisers do not welcome a talented newcomer who may become a competitor but his abilities are recognised by the Minister and, most important, by Maupas, the career official heading the department. That said, coming up with the right words for the constantly changing world situation and the constantly changing reactions of the Minister proves no easy task. He gets hastily written drafts past Maupas, and past other senior advisers who rubbish them, only to find that the Minister's needs have changed.

QUAI D’ORSAY2022-11-24T14:23:34+01:00

LET HIM HAVE IT

Derek Bentley is an illiterate, epileptic young adult with developmental disabilities who falls into a gang led by a younger teenager named Christopher Craig. During the course of the robbery of a warehouse in Croydon, in which Bentley is encouraged to participate by Craig, the two become trapped by the police.

LET HIM HAVE IT2022-11-24T14:22:10+01:00

KAFKA

Set in the city of Prague in 1919, Kafka tells the tale of an insurance clerk who gets involved with an underground group after one of his co-workers is murdered. The underground group, responsible for bombings all over town, attempts to thwart a secret organization that controls the major events in society. He eventually penetrates the secret organization in order to confront them.

KAFKA2022-11-24T14:20:20+01:00

UNA FEMMINA

Rosa is a rebellious young woman who lives with her grandmother and her uncle in a village in Calabria, high in the dry hills. All of a sudden, her day-to-day routine is shattered by something that emerges from her past: a trauma that links her to the mysterious death of her mother years earlier. When Rosa realizes she is doomed to a fate that is preordained, she decides to betray her family and seek her own revenge. When that family belongs to the ‘Ndrangheta, however, each step she takes may be her last. screenplay Lirio Abbate Serena Brugnolo Francesco Costabile Adriano Chiarelli loosely based on Fimmine ribelli. Come le donne salveranno il paese dalla ‘Ndrangheta by Lirio Abbate cinematography Giuseppe Maio editing Stefano Mariotti music Valerio Camporini Faggioni sound Federico Cabula production design Erika Aversa Gianluca Salamone costumes Luca Costigliolo cast Lina Siciliano (Rosa) Fabrizio Ferracane (Salvatore) Anna Maria De Luca (Berta) Simona Malato (Rita) Luca Massaro (Natale) Vincenzo Di Rosa (Ciccio) Mario Russo (Gianni) Francesca Ritrovato (Cetta) producers Attilio De Razza Pierpaolo Verga Nicola Picone Edoardo De Angelis productions Tramp Limited O’Groove world sales Intramovies sales@intramovies.com www.intramovies.com Francesco Costabile studied film at the University of Bologna, where he made his first short film, La sua gamba (2001), which won kudos at the Bellaria Film Festival in 2002. Next, he studied directing at the Centro Sperimentale di Cinematografia in Rome, making the shorts L'armadio and Dentro Roma, the latter of which won a Silver Ribbon for Best Short and was nominated for a David di Donatello in the same category. He wrote various screenplays with a queer theme, then turned to documentaries, making two about the costume designer Piero Tosi (L'abito e il volto, 2009, Audience Award at the 2010 Biografilm Festival, and Piero Tosi 1690, in 2014). Costable continued to explore the biopic genre in the documentary In un futuro Aprile, about Pier Paolo Pasolini and his ties to his native Friuli and its dialect. This film was shortlisted for the 2021 Silver Ribbons and won numerous awards. In 2017, he produced the film Porno e Libertà by Carmine Amoroso with Zut Film. The same year, Costabile founded the queer and post-porn Hacker Porn Film Festival with filmmaker Lucio Massa. 2022 Una femmina 2019 In un futuro aprile (doc) 2014 Piero Tosi, 1960 – L’inizio del secolo (doc) 2009 L’abito e il volto (doc) 2006 Dentro Roma (short) 2004 L’armadio (short) 2001 La sua gamba (short)

UNA FEMMINA2022-11-24T01:12:21+01:00

TI MANGIO IL CUORE

Puglia. Burnt by the sun and seared by hatred, the Gargano promontory is contested by criminals who seem to spring from a remote past governed by the law of the jungle. It’s an archaic land reminiscent of the Far West, in which blood is washed away with blood. An old feud between two rival families is rekindled by the forbidden love between Andrea, reluctant heir of the Malatesta, and Marilena, wife of the head of the Camporeale clan. Their fatal passion triggers a new war, but Marilena, banished by the Camporeale and prisoner of the Malatesta, will oppose the fate arranged for her, with a mother’s strength. screenplay Antonella W. Gaeta Pippo Mezzapesa Davide Serino loosely based on Ti mangio il cuore by Carlo Bonini and Giuliano Foschini cinematography Michele D'Attanasio editing Vincenzo Soprano music Teho Teardo sound Fabio Conca production design Daniele Frabetti costumes Ursula Patzak cast Elodie (Marilena Camporeale) Francesco Patanè (Andrea Malatesta) Francesco Di Leva (Giovannangelo) Lidia Vitale (Teresa Malatesta) Giovanni Trombetta (Paky Malatesta) Letizia Pia Cartolaro (Immacolata Malatesta) Giovanni Anzaldo (Zigo Zago) Gianni Lillo (Damiano Camporeale) Brenno Placido (Potito Montanari) Tommaso Ragno (Michele Malatesta) Michele Placido (Vincenzo Montanari) producers Nicola Giuliano Francesca Cima Carlotta Calori Viola Prestieri production Indigo Film with Rai Cinema world sales True Colours info@truecolours.it www.truecolours.it Pippo Mezzapesa is a screenwriter and director. His short films include: Zinanà (David di Donatello, 2004), Come a Cassano, L’altra metà (nods for both the David di Donatello and Globo d’Oro; special mention at the Silver Ribbon Awards), Settanta (2012 Silver Ribbon; David di Donatello nominee), La giornata (Special Silver Ribbon; nods for both the David di Donatello and Globo d’Oro). Of his two documentaries, Pinuccio Lovero – Sogno di una morte di mezza estate premiered at the International Critics’ Week at Venice, and Pinuccio Lovero – Yes I Can was selected for the Rome Film Festival’s Prospettiva Italia section. His first feature film, Il paese delle spose infelici, screened in competition at the Rome Film Festival. His 2018 film Il bene mio premiered at Giornate degli Autori in Venice. 2022 Ti mangio il cuore 2018 Il bene mio 2017 La Giornata (short) 2012 Settanta (short) 2012 Pinuccio Lovero – Yes I Can (doc) 2011 Il paese delle spose infelici 2009 L’altra metà (short) 2008 Pinuccio Lovero – Sogno di una morte di mezza estate (doc) 2006 Come a Cassano (short) 2004 Zinanà (short)

TI MANGIO IL CUORE2022-11-24T01:05:34+01:00