Mythologies and miracles
At the Rizzoli Bookshop, Gianfranco Giagni, curator of the Italian edition, and filmmaker Davide Ferrario talk about The Unthinking Lobster, aka Miracolo a Hollywood, a play by Orson Welles. Article by Vittoria Villa
At the Rizzoli Bookshop, Gianfranco Giagni, curator of the Italian edition, and filmmaker Davide Ferrario talk about The Unthinking Lobster, aka Miracolo a Hollywood, a play by Orson Welles. Article by Vittoria Villa
On the day Italy’s highest honor for lifetime achievement by a master of the literary thriller and noir genre, the Raymond Chandler Award, goes to Harlan Coben, the Festival has released the statement
Photo by Aldo Umicini Davide Rapp and Michele Boroni re-evoke a heady season: the 1992 Noir in Festival and the revelation of Tarantino and his Reservoir Dogs in competition that year. The evening event this year celebrated that edition and ended with a message for Noir from the filmmaker, now firmly installed in the movie hall of fame. An article by Vittoria Villa
Noir in Festival Raymond Chandler Award Recipient 2022. Article by Adrian Wootton
Marina Fabbri interviews the author of The Long Knives, who shot to worldwide fame in 1993 for his novel Trainspotting. And, as happened with his 2008 novel Crime, the investigations of detective Ray Lennox will once again become a television miniseries
The Best Film in the International Competition will be selected by Cinzia Bomoll, Daniel Cohen, and Manuela Velasco. For the Caligari Prize, the young jury of roughly 80 students and cinephiles will be coordinated by Manlio Gomarasca (president), Maurizio Di Rienzo (coordinator), and Anna Maria Pasetti (tutor).
The short films will be screened before each film in competition, after which they can be viewed on the Luce Archives and CinecittàNews websites.
Among the 13 films in the Official Selection, several titles are sure to stir intense debate. “It may well be that Marlowe and Spade have had their day,” write Marina Fabbri and Giorgio Gosetti, “and perhaps even James Bond has to surrender to age and technology. But they could always make a comeback, as is often the case with imaginary heroes that light the way to the future.”
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